88. The Chaser’s Park
The Chaser‘s Park 150x100cm
As the moon rose high in the sky, casting a pale glow over the city of Paris, the air in Chaser's Park crackled with a certain energy. Known for its reputation as a place of love and heartbreak, passion and longing, the park was a haven for those seeking the thrill of romance.
The park was dotted with life-size statues of the goddesses of love, their marble forms aglow in the moonlight. Legend had it that those who looked upon them would be blessed with a love that would last a lifetime. But for many who visited the park, love was an elusive thing, hard to find and even harder to hold onto.
On this particular night, two male musicians perched on a cemented fence, strumming their guitars and crooning songs of love and loss. A beautiful girl sat beside them, her eyes closed as she listened to their serenade.
Nearby, a decent-looking man in a gray suit was pleading with his girlfriend in a skimp red dress to wait. She gazed back at him with adoration, but he seemed distracted, his eyes fixed on something in the distance.
A biker in a yellow jacket had parked his bicycle beside the statue of artist Egon Schiele's muse. He sat on the bike with his right leg raised, his hand gripping the handlebars, lost in thought.
A woman ran across the street, a rabbit darting in front of her. She looked frantic, as if she were searching for someone or something.
A man played his cello, the haunting melody filling the air. A woman knelt beside him, watching him with longing in her eyes, silently begging him to notice her.
As the night wore on, two yellow horses appeared in a coach, driven by an unknown coachman. They trotted through the park, their hooves clattering on the pavement.
In the midst of Chaser's Park, love was both elusive and all-consuming. For some, it was a source of joy and wonder, while for others, it was a painful reminder of what they had lost. But no matter what their experiences, all who visited the park were touched by its magic. They left with a sense of hope and longing in their hearts, feeling as though anything was possible in the city of love.
The Chaser’s Park 150x100cm
87. “The Enlightenment"
Is this finally the most scandalous painting of Helenna Jouja?
87. The Enlightenment
150x100 cm acrylic on canvas
After the success of her painting called "The Biggest Ball," which remains on display at the office of a well-known Austrian millionaire, Richard Lugner, Helenna Jouja continues a heartbreaking enigma, whose notable and exciting life remains as enigmatic as the psychedelic characters of her "Ice Cream on the Cone" painting series. Her imaginative output is unrivaled, from ingenuous female artist to genius short film maker. Not long ago, Helenna Jouja was also a stunning socialite, socializing effortlessly with the notable, intelligent, controversial immigrants in so many countries, where she temporarily stayed.
Little is known about the deeper most recent private life of Helenna Joiuja, as she recently avoided crowds, not because of the ongoing corona virus problems, but because as she becomes skillful in painting, it`s becoming apparent to her that she`s borderline introverted. Can we now understand what led her to paint unusual scenes that you would probably not see on televisions, social media or photographs, but only on her unique imagination illustrated on canvas, that is so free from perversion despite the nakedness of the painting`s imaginary characters? Certainty not yet! But remember, perversion is in the eyes of the beholder, not only the so called "beauty."
"You disappointed me Helenna!" said her close friend, Gerd, upon seeing this painting. "The Enlightenment" in progress! He couldn´t believe his eyes that such an artistic woman as questionably decent as Helenna Jouja could paint something so offensive as "The Enlightenment." Are criticism and disappointment normal feedback for such an artist but why should an artist be held responsible for what one wants to see and expect, unless she got paid to paint what one has to see and expect. Deeply an artist is innocent of what others feel about her art, as if she`s not emphatically able to feel others`s impression. An artist will always be a virgin, innocent about the reality of others. An artist has no dirty mind, she sees every little detail as ugly or beautiful and paint it whenever necessary. Once an artist freed herself from expressing herself in painting, she just released herself to greatness, which is not common for self-proclaiming artists.
Another thing that is in question is if such freedom of expression can be inherited? Helenna Jouja's father, Jesus Barrera, was a professional musician, but her mother, Maria, was so disinterested in music, who was so surprised that it had taken Helenna Jouja only 3 days to learn, understand and speak English at the age of 5. Her mother was neither a musician or an artist. She was just an intelligent woman, who graduated in college a summa cum laude, and had no idea that her daughter, whom she named Helenna for being born with a light complexion would one day excel in the most competitive generation of arts ever. Is being a suspected genius at an early age an indicator that one would suddenly succeed to achieve freedom of expression in arts?
Moreover, could we trace Helenna Jouja's freedom of expression from the DNA of her great great-grandparents, who originated from Spain? Even Helenna Jouja`s father`s 500 year old house, that was passed on by her father´s ancestors to the latest bloodlines had two antique portraits of their great great-grandparents on the wall, was shrouded in mystery as if they were photo realistic, that one, upon seeing these portraits might have an impression that during the century they were painted, there was already technology for colored photos, but no, they were hand-painted beautifully, so realistic as if Leonardo da Vinci himself was the one who painted them. Were these portraits painted by one of the bloodlines of Helenna Jouja in the past centuries? Did Helenna Jouja inherit her exceptional talents in painting from him? It is rumored that in this very huge old house, which wide windows were always widely open, "mistakenly" or was it really a mistake, visited by a wild white dove which tail´s feathers slightly touched Helenna Jouja´s right delicate cheek when she was just a newly born baby, as the dove was trying to get away from the room, a rare incidence that Helenna Jouja herself described as an important omen, a premonition of the prominence to come, a similar omen that happened to Leonardo da Vinci when he was just an infant. Has the premonition already come true to Helenna Jouja, or is it just about to happen, certainly nobody knows yet when. Well, at least not probably in this century, but possibly in the next centuries to come. Helenna Jouja is such an ambitious woman, yet her ambition is not set for our generation as she always dreams of being famous in the next centuries to come and be in line with the great artists in the past such as Leonardo da Vinci, Pablo Picasso, Vincent van Gogh, et al. Would it be nice to include with them a female artist, who is of Filipino origin, who can inspire the world that talent has no nationality as well as no gender?
Helenna Jouja is so fascinated with Leonardo da Vinci`s Last Supper, and so she created her own version of "the Last Supper" and called it "The Enlightenment," in the hope that in the next centuries "The Enlightenment" will find its special position in the limelight of the next most admired Arts in the next centuries. As da Vinci's Last supper continuously deteriorates on a wall of an old convent, sooner and later it wont´t have anymore the original strokes of da Vinci, and hence just like most antique paintings which still exist in our time, just restored and retouched by other contemporary artists.
"The Enlightenment" painting is a life comedy, a challenging idea for painting suggested by Helenna Jouja's art manager and gallerist, Hubert Thurnhofer, a serious interpretation on how matured people from all walks of life are losing a sense of morality, when poor homeless children are being ignored and left outdoors, unheard, desperate, and needing the right guidance but never had it. How everyone pretended to hear the message of God, or leaders or the oldies, but ends up doing the things that are forbidden and not ideal. The odd inclusion of a staircase right in the middle of the painting serves as a relevant symbol. Would you take the stairs to go up or down or join the crowds upstairs or downstairs, or would you rather be alone or with your dance partner? There are, of course, so many other life situations that are interesting and controversial or scandalous to paint but Helenna Jouja chose this time lighter issues in life and created more happy and satisfied people to show that despite the immorality, there is still hope to be enlightened from what is morally right or wrong. "The Enlightenment" is a symbol of hope, faith and love that one day everyone will find unity, love conditions, universal morals that are applicable for every society; and understanding that the truth will one day set everyone free finally, but the question of when will all these be possible that the Truth be proven the truth and nothing but the truth is still unknown. It can not be promised or sworn just like in the court of justice. In fact, the obvious mixture of the past and the present, the different sizes of characters in this painting is a ridiculous symbol n the sense that for many centuries the search for the truth still continues and far from over! "The Enlightenment is definitely another interpretation of Innocenticsm Art, a name given by Helenna Jouja herself to her paintings. An art is an Innocenticism Art if the characters in the painting are innocent about the danger that is about to happen, and the art lovers should guess where the danger lies.
Vienna, September 16, 2021, Helenna Jouja
The following photos are not an individual painting but together they form the painting „The Enlightenment“
86. The Bathers
A stunning painting to beautify and enliven the wall of your home
86. The Bathers
150x100 cm acrylic on canvas
At the heart of **"The Bathers,"** lies a poignant narrative that intertwines the beauty of nature with the realities of a world grappling with change. Inspired by the volcanic eruption in the Philippines and the global pandemic, this artwork captures a moment of joy and defiance amidst adversity.
In this vibrant scene, one of the female figures playfully holds a mask, cleverly integrating it into her ensemble as the third piece of her bikini. This bold statement symbolizes the duality of life during the pandemic: while masks became a necessity, they also served as a reminder of our resilience and ability to adapt. Her carefree spirit contrasts with the somber reality of the world outside, showcasing an unyielding pursuit of happiness and connection.
The vivid mountains in the background represent the natural forces that can disrupt our lives, yet also provide beauty and solace. As the characters engage in their playful activities, they embody the spirit of community, reminding us that even in the face of adversity, we can find joy and companionship.
This painting invites viewers to celebrate life, not just despite the challenges but because of them, illustrating how we can weave our experiences—both joyful and somber—into a tapestry of resilience and hope.
This is a painting with a story that can impress your guest that you own a valuable painting!
My painting, titled **"The Bathers,"** encapsulates a vibrant gathering of figures immersed in nature, set against a backdrop of bold, colorful mountains and a serene water body. The use of acrylic on canvas allows for rich, saturated colors that evoke a sense of warmth and joy.
Description and Story
In this lively scene, a diverse group of people enjoys the beauty of a sun-drenched landscape. The figures, each with distinct features and expressions, engage in various activities—some are playfully splashing in the water, while others seem lost in conversation or contemplation. The flowing water reflects the vibrant hues of the surrounding environment, creating a harmonious connection between the people and nature.
The **mountains** in the background, with their exaggerated colors, suggest a dreamlike quality, enhancing the painting's whimsical tone. The **lush greenery** and tropical flora invite the viewer to step into this idyllic world, a serene escape from reality.
Short Story
Once upon a time, in a hidden valley where mountains kissed the sky, a group of friends discovered a magical oasis. Drawn by the allure of the shimmering waters, they gathered to celebrate life and friendship. Laughter echoed as they splashed and danced, their spirits as bright as the colors that surrounded them.
Each figure in this vibrant tapestry represents a story—of joy, freedom, and the simple pleasures of being alive. The mountains watch over them, ancient and wise, holding secrets of the past while witnessing the beauty of the present. As the sun began to set, casting a golden glow, they knew they had found a piece of paradise that would live on in their hearts forever.
This painting serves as a reminder to cherish those fleeting moments of bliss and the connection we share with nature and each other.
85 B. Strozzi’s “Lute Player” of the 17th Century
Strozzi’s “Lute Player” Reimagined
Why Invest in a Replica by a Contemporary Artist?
Purchasing a replica by a recognized contemporary artist offers a unique blend of value and artistic significance. While original works by old masters are undeniably valuable, they are also accessible to only a select few. In contrast, a replica created by a well-known artist not only carries the essence of the original but also represents a wise investment, as it holds the name and reputation of a contemporary creator. Embrace the opportunity to own a piece that celebrates both history and modern artistry!
Lute Player (c. 1630–1635) is a celebrated Venetian Baroque oil painting by the esteemed Italian artist Bernardo Strozzi. This masterpiece beautifully depicts a musician in classical attire, fully absorbed in playing a lute, showcasing meticulous detail in the positioning of his hands on the frets.
**"Strozzi’s Lute Player of the 17th Century," 100x80 cm acrylic on canvas by Helenna Jouja**
During a captivating visit to the Kunsthistorischer Museum in Vienna, Austria, my art gallerist, Hubert Thurnhofer, and I discovered Strozzi’s exquisite *Lute Player* tucked away in a sunlit corner. As Hubert captured the moment with his camera, he mentioned that one of his late artists, Biber, had created a replica of it. Inspired by this revelation, I playfully proclaimed, “I won’t just replicate it; I’ll make two versions!”—a bold challenge to showcase my own artistic interpretation.
Once back in my studio, I eagerly sketched the iconic piece onto two 100x80 cm canvases. However, the fate of the first replica took an unexpected turn; it found a new home with a stunningly affluent lady in Germany before I could even complete it! Talk about a swift sale!
For the second replica, I decided to infuse a touch of whimsy, giving the Lute Player a more playful expression. After all, who says classic art can’t have a sense of humor? I invite you to experience this reimagined masterpiece, where tradition meets delightful creativity.
85 A. Strozzi’s “Lute Player” of the 17th Century
Strozzi’s “Lute Player” Reimagined
85 A Strozzi’s “Lute Player” of the 17th Century, 100x80cm acrylic on canvas by Helenna Jouja
During a captivating visit to the Kunsthistorischer Museum in Vienna, Austria, my art gallerist, Hubert Thurnhofer, and I stumbled upon Strozzi’s exquisite painting of the Lute Player tucked away in a sunlit corner. As Hubert snapped a picture, he remarked that one of his late artists, Biber, had created a replica of it. Inspired, I playfully declared, “I won’t just replicate it; I’ll create two versions!”—a challenge to showcase my own artistic flair.
Upon returning to my studio, I eagerly sketched the iconic piece on two 100x80 cm canvases. However, the fate of the first replica took an unexpected turn; it found a new home with a stunningly affluent lady in Germany before I could even finish it! Talk about a swift sale!
As for the second replica, I decided to infuse a touch of whimsy, giving the Lute Player a more playful expression. Who says classic art can’t have a sense of humor? Now, I invite you to experience this reimagined masterpiece, where tradition meets a delightful twist.
84. The Millionairess
A luxurious painting for horse lovers!
84. The Millionairess
100x80 cm acrylic on canvas
My painting, titled **"The Millionairess,"** beautifully captures the essence of sophistication and tradition through the lens of equestrian life. The central figure, a confident woman in a tailored riding outfit and elegant hat, stands proudly beside her majestic horse. The lush green backdrop enhances the vibrancy of the scene, symbolizing both wealth and the connection to nature that comes with horseback riding.
Description and Story
In this portrait, the millionairess embodies grace and determination. Her radiant smile reflects not just her achievements but also her deep passion for horseback riding—a traditional hobby that has been passed down through generations of elite society. Adorned with a medal, she stands as a testament to her dedication, showcasing the hard work and discipline that accompany her privileged lifestyle.
Short Story
Once upon a time in an opulent estate nestled in the countryside, a young woman inherited not only her family's wealth but also their cherished traditions. Among these was her mother’s love for horseback riding, a pursuit that brought joy, freedom, and connection to the earth. As she saddled up each morning, the millionairess felt the weight of legacy upon her shoulders, yet it was a burden she embraced willingly.
With each ride, she found solace in the rhythmic gallop of her horse, a loyal companion that mirrored her spirit. Together, they explored sun-drenched fields and shadowy woods, where laughter and adventure intertwined. Clad in her elegant riding attire, she competed in prestigious events, earning accolades that adorned her life like jewels.
But beyond the medals and applause, it was the moments of connection—between horse and rider, tradition and innovation—that defined her journey. The millionairess understood that her wealth was not merely measured in gold but in the rich tapestry of experiences and the bonds formed through her passion for riding.
Through this painting, we are invited to witness not just a moment frozen in time but a narrative of legacy, joy, and the timeless art of horseback riding.
83 A and B Cope’s Maiden Meditation
A decent painting to add a touch of tranquility to your place!
Cope’s “Maiden Meditation” Reimagined
*Maiden Meditation,* painted in the 19th century by the esteemed English Victorian artist Charles West Cope, captures a serene and introspective young woman holding a book, a visual embodiment of tranquility. Inspired by the verse from the Book of Isaiah—“I will greatly rejoice in the Lord...; for He hath clothed me with a robe of righteousness”—the painting exudes a touching simplicity that critics have hailed as both beautiful and impressive, though they note a certain stiffness and formality in its presentation.
As a Filipina-Canadian modern artist based in Vienna, I, Helenna Jouja, have a deep appreciation for this iconic piece. My own interpretation, a 100x80 cm painting, seeks to honor Cope’s original while infusing it with a contemporary flair.
Exciting News!
I’m thrilled to announce that *Maiden Meditation*, along with my replica of *Lute Player*, has been featured in the popular Austrian art magazine *Vernissage*. This prestigious publication highlights only artists with upcoming exhibitions, making this recognition particularly special!
Given that the original *Maiden Meditation* is a singular treasure held in the permanent collection of the Victoria and Albert Museum in London, I decided to create two copies of it. These replicas serve as a gift for fans of the original, offering an opportunity to own a piece that resonates with the spirit of Cope’s work. Purchasing a copy from me not only connects you to a beloved classic but also comes with the added value of acquiring a painting by a recognized contemporary artist. Enjoy the best of both worlds: the allure of a timeless masterpiece and the signature touch of a modern creator!
Fotogalerie
Cope’s “Maiden Meditation” in the 19th Century, and the Lute’s Player paintings by Helenna Jouja were featured in Vernissage Magazine in Austria.